jonknee: (Default)

i know a lot of people have opinions on the ending of sayonara lara. people will think what they think, people will say what they say—and while it does break my heart to think that so many people have such mixed feelings about this finale, it doesn’t change how i personally feel about the ending.


i love it, and i love this show. so, so much.

sayonara lara is a story that hinges on finding love. throughout the entire show, we see lara embarking on that journey, only to be hurt time and time again. she finds it with the prince, only to be rejected with repulsion and fear. she thinks she finds it in luca, because he is reminiscent of her old lover.

but that’s not how it goes. entering love and a relationship like that, it often leads into an ouroboros of destruction and heartache. we see it in the way lara pursues luca, and she feels unsatisfied and unfulfilled in so many ways. and yet tries, because this has to be it, right? because luca was a chance for lara redeem herself from her past, to rewrite her history, to prove to herself that yes! love exists! and i found it in the story that almost killed me! take that, world!

but the moment love becomes a revenge story, i think we lose the whole point of it.

and i think lara eventually learns that.

so she learns more about herself. takes up baking. makes new connections. continues to find the love she desperately needs to stay human. because that love…it has to be in someone else, right? someone else surely has the key to lara’s heart, right?

but maybe that’s not everything to love.

what mari says in the last episode made me lose my shit.

“aren’t we all made to love someone?”

and maybe it’s a cop-out or cheesy or whatever, but who is to say that someone isn’t ourselves? in fact, who’s to say that isn’t the person we should love?

so often, i think we reduce love stories to people saving one another, licking each other’s wounds. but that’s not love. we are not made to fix each other. no one can do that for us. the only person who can fix us are, well, ourselves. it's only when lara is on the brink of losing it all does she realize that she wants to live! and to love! because she lives in a world where mari exists. and i don't think mari fixed her. i think she inspired lara to do the work.

and i think that’s what makes mari’s relationship with lara so special and different. mari has no expectations for lara, on who she is, who she should be, what she needs to fulfill. she loves lara on who lara is, and she quietly supports lara to evolve and grow, giving her to space to grow, even if it means letting her go a little bit.

lara’s journey is one so personal and dear to me. it is one that i have tried to make sense of myself, one that i am still trying to navigate towards. i have projected my own fears and insecurities onto people. i have desperately tried to find love in the people around me, hoping that it’ll fix me. that it’ll save me and the horrible, horrible person i thought i was.

but that’s not true at all. and i think it just takes time and effort to really come to that conclusion.

i don’t think that letting go or allowing someone to leave is a matter of saying goodbye. in fact, i think that sometimes, letting go is the greatest act of love and trust someone can do.

i think i said it the best in my liz and the blue bird post.

as i was thinking about this story, i thought to myself multiple times, “well, if liz lets the blue bird go, can’t the blue bird just come by to visit any time?” and i think that’s the whole point of the narrative. it’s not about letting go forever. it’s about giving them the choice to come back. because, as they say, if you love something, you let it go.

and if it was meant to be, it’ll come back.

i believe lara loves mari. and i also believe mari reciprocates those feelings.

i could go on about what i think about their relationship, but aligning with the christian themes present in the show, i think 1 corinthians 13 summarizes it all:

because love is patient, and love is kind. it does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. love does not delight in evil but rejoices with the truth. it always protects, always trusts, always hopes, always perseveres. love never fails. but where there are prophecies, they will cease; where there are tongues, they will be stilled; where there is knowledge, it will pass away.

how beautiful it is, to love and be loved—by yourself and the people who truly see you for what you are.

—

thank you for reading

jonknee: (Default)

i fell in love with food and cooking when i was in undergrad.

at first, it was mostly for survival. it wasn’t sustainable for me to keep eating out, and i was a 3-minute walk away from a grocery store. i didn’t really have an excuse to not start cooking. at first it was a few simple things. eggs and rice. french toast. one pan oven-baked chicken. a bootleg version of oyakodon. this delicious dijon mustard and lemon salmon recipe a friend made for me once. japanese cream stew. soondubujjigae. chicken adobo. hot pot. before i knew it, the love i have now for cooking grew as a natural consequence from the continuous practice of cooking for myself and eventually, cooking for the people i loved. it became a love language i began to use to express my fondness, my camaraderie, my gratitude, my love for the people around me.

and it was only until recently did i realize that cooking was a love language i have always known.

—

the whole thing that kicked this entire story off was this incidental thing i heard kronii say when i finally tuned into her stream after literal years. she said she was never someone who voiced her appreciation, and instead opted to do small actions instead. it made me think that she’d probably be the kind of person who’d walk into someone’s room with a pile of peeled fruit before quietly walk away.

and then i realized that’s what my parents did to me.

peeled fruit on platters. home cooked meals after a long day. plucking away fishbones in whole fish. cracking open crab legs and leaving behind the meat. that one time mom made me strawberry jam so early in the morning after i told her the day prior i wanted to try making it because we had just bought a fresh box of strawberries. what a beautiful language. what a beautiful way to show love. and how i love love.

—

the general idea and kronii.

when i initially wrote this story, i was really operating off of vibes. i didn’t have a direction of where i wanted to go. i genuinely just wanted to write a story where kronii cooked for the girls and her love showed in every dish that she made, but she never verbalizes the sentiment. it just shows. i was also very inspired i’ve seen it by olivia dean. it’s a song where she describes instances of love, both the good and the bad, in her every day life. but never once does she ever name the emotion. you just know because you feel it, and i wanted to try my hand at it.

but then as i began to write the story i felt like…i dont know, i felt like i needed to have something else to it. but i wasn’t sure what it was missing. there was a general idea i had in the background of my mind where the girls had actually stepped down from their positions as Council, but it was always supposed to be the backdrop against the cooking. eventually, as i continued to write and draft and plan, it just naturally came more to the forefront. and cooking became a bit of a double act for kronii. 

yes, she does it to show her love and affection for the others. but i also think she also does it to feel some level of control. to lose herself in the menial tasks of preparing and cooking. kronii never struck me as someone who would improvise while cooking (well actually, she can’t cook irl but that’s despite the point), so i think the methodicalness of the cooking segments made sense. but finding ways to break up the monotony of the cooking with description and character interaction felt hard without a greater plot. so it all kind of blended together, whether i realized it or not.

i still think, at its core, this is a story where kronii shows her love. yes, she shows her love to the others. but slowly, she shows love to herself with the guidance of the others. i love characterizing kronii as someone who is emotionally constipated because reaching that level of catharsis with her is so yummy. even then, i don’t think she ever reaches the peak of that catharsis—rather, i feel like the emotional “peak” of the story is more of her finally breaching that hurdle into realizing that it’s simply okay to feel like shit. or something like that.

when i was writing this story, i was in the middle of a transition of leaving my position at one facility to go to another facility. i succinctly told it to my friend (shoutout to you velveeta cheese) the best:

“i mean i love the work i do as a [insert career here] and i love the team that i worked with and while my bond with them hasnt changed, i dont see the same structure and people as i do, im still adjusting to this new position in a new world and it’s like uncomfortable and i doubt that im like. doing anything right or if i made the right decision and i think kronii would also be in a similar position”

grief and moving on…what funny feelings they are.

—

i genuinely don’t know what the fuck i’m saying, im just trying to sound smart and make it all fit together. i feel like sometimes i rawdog my stories, look back, and think “oh it all turned out!” and i think that’s sometimes the beauty (and pain) of it all. that’s it. sometimes writing is your figuring it all out as you go along, and when you look back at you work, you realize you had all the pieces together. you just needed them all in the right place.

there’s something almost profound in the act itself.

—

below are my thought processes for each segment.

 

sana.

 

i wanted to have a sweet breakfast for sana because, duh, it’s sana. kronii never struck me as a sweet breakfast girlie, but i think she’d do it for sana.

initially i thought about Sana having cinnamon rolls because it’s a classic sweet treat for breakfast, but i thought it’d be waaay to sweet for Kronii. also, it’d be too much work. kronii and i, we ain’t about to do all that.

i made a lot of french toast in my time during undergrad. it’s my favorite breakfast item, but more often than not i find myself disappointed by the way diners make them. it doesn’t feel interesting enough, or maybe i’m just picky af. i used this recipe a lot and so it was the inspiration for what’s used in the story.

i was still getting a feel for my narrative and it shows, i think. but i think the softness of spacetime is so nice to write. im biased though. spacetime is my comfort ship. those are my girls. 

and i miss sana very, very much.

 

fauna.

 

the raspberry-hibscus tea they used was a blend i fell in love with one summer. it was this brand that i used a lot, and it was so so yummy. i’d drink it every night before i slept when i was having trouble sleeping, and it’s knock me out like a baby. i’ve never drank it cold like they do in the story, but it just sounds like it’d be refreshing. a funny thing: while i was writing, i was wondering if their glass cups would crack from the thermal shock. im sure your typical glass cups would and ideally, you’d steep the ice in the fridge. initially, i would have kronii fast-forward time to try and cool off the tea faster before adding ice, but then i realize she would probably “age” the tea versus actually cooling it. so in the end, i stopped caring about thermal shock and told myself that their tea set is made from pyrex glass LOL.

i’ve had cucumber sandwiches during tea time only once before, but they’re a nice, delicate, and light snack to have. a lot of recipes ask for mayonnaise but fauna is vegan, so i just planned to omit it. i based kronii’s off of this recipe more than anything.

i think i rewrote this segment the most LOL because i genuinely didn’t know what i wanted to do. at this part of the story, the idea that kronii and the others had actually stepped down from their positions as council started to really take shape. at first i was pretty against it, because i wanted it to be more of a backdrop rather than the focal point, but in the end i just ended up running with it. no point in corralling a story in a direction it doesn’t want to go in.

 

mumei.

 

oooh, mumei. moomers. she felt like someone who would have the heaviest lunch and still somehow have room to eat for dinner. i decided on steak bc at the time of writing, i was majorly craving it. no specific recipe for this—i just based it off the way my dad prepares it. that’s my favorite recipe, out of everything i could find :)

the dipping sauce they used was from a tiktok LOL. my ex and my ex-roommates put me on, and it’s been my favorite thing to eat with steak. sometimes i just straight up crave the sauce too.

the combination of fish sauce, chili, cilantro/coriander, and sugar is a popular condiment in southeast asia and goes by a variety of names. jeow som in laos. colloquially known as crack sauce in certain diasporas. those are the only ones i know of just off the top of my head.

this particular dish feels like a riff of nam tok, a grilled beef/steak dish originating from thailand/laos. i have yet to eat nam tok for myself, but i hope i do. learning about the origins, variations, and changes that influence the food i love…all of it feels very precious. we hold a lot of our cultural and personal history in foods, and i want to learn more.

mumei uses these cutlery holders bc i was trying to find a funny antique that she could use at the table. the dachshunds look so stupid, tacky, and cute—so mumei core. there’s a bottle opener in this kit but i changed it to be a wine opener instead. the thought of a dachshund wine opener is hilarious. for the utensils, they were inspired by this particular set of mother-of-pearl handles. the handles are much more white than any other color, but the spirit is still there. initially i wanted a gemstone-handled set, but some of them looked quite gaudy. also, i’ll do anything to have a small raden juufuutei cameo.

i dont think i ever properly say it, but mumei is a little magpie with antiquities because she feels like she can collect the stories of people, her subjects, and keep them forever. i think in her lore, mumei keeps a journal to remember things? and i’d like to think that once she steps down as guardian, she starts hoarding antiques as a way to cope. i think sana’s and fauna’s ways of grieving are relatively…i guess, obvious compared to mumei.

it was around this point in the story where i was beginning to transition facilities. this is where the whole segment of grief, grappling with it, and the mixed relief and discomfort that comes with leaving something you love but simultaneously know is bad for you really starts to set in. it really informed the last two sections for sure.

 

bae.

 

bae loves strawberries, so it felt like such a gimme to have strawberries and cream. i shared this once before with a friend that i no longer talk to, but she had made fresh whipped cream. the texture of homemade whipped cream is so addicting. i used this recipe as a basis for the whipped cream.

even with a more concrete idea of where i wanted to go with this story, it took me a bit to get through this portion. i had a hard time imagining what the whole conversation between bae and kronii was going to be like, but in the end, i like where i ended up. i wanted to emphasize bae’s role as the former leader of council here. granted it’s an older piece of lore (it’s the one true lore, i dont care what cover says on the official website), but i think that even if they have stepped down as council, the dynamic would still be there. despite being chaos incarnate, bae has always felt rather…grounded, both as a character and as a person. there’s a part of me that things she’s a lot more emotionally mature than the others - perhaps even the most emotionally mature. to me, chaos is more than just the sheer unpredictability of the world. i think that chaos is also what comes after a realization. when your foundation is shaken and you have to take drastic measures to make sure you get yourself back together. the tower in a tarot card deck, so to speak.

i wanted to give kronii that moment. i hope i managed to convey what i wanted, especially in the context of such a light meal.

this is the first time in the story where kronii gets help, while cooking. a representation of bae’s role in this narrative.

also, as an aside: the last thing bae says in this chapter is a riff off a bible verse: i am that i am. spoken by god to moses in the burning bush, it’s supposed to communicate the omnipotence and ever-presence of god.

as former gods, i feel like this was just a funny little thing they’d say.

 

irys.

 

in the tarot deck, following the tower is the star. in the wreckage and calamity following the tower’s fall, the star is a reminder that hope still exists, no matter how bleak everything seems right now. irys is supposed to be hope descendent. like bae, this felt like such a gimme.

when i first drafted out the story, i was initially going to have irys have a whole-ass meal - a sandwich with glazed peaches, prosciutto, burrata, arugula, and a decadent balsamic glaze. when i first made it, i forgot the pesto but my god…it is so fucking yummy…please try it, if you have the ability to!

anyways, i decided against to use the meal because it felt like it’d be too insane to have a whole meal before HOT POT out of all things, so i decided that it’d be better for irys to help prepare the ingredients with kronii rather than eating a meal. i think it was a natural consequence and build-up following bae’s.

it’s kind of ambiguous whether or not irys is still hope descendant because, technically, she wasn’t a part of council. she was just an entity close intertwined with them and humanity. i think it’s very much up to the reader whether or not she is.

writing their banter was my favorite part of this chapter because they’re so annoying.

the stuff they prepare are some of my favorite things to put in homemade hot pot. the preparation part of hot pot with friends was always one of my favorite parts. the conversation, the jokes, the heart-to-hearts i’ve had during preparation…all of it are cherished memories to me. i think it’s very apt that hope would be the one to share that with kronii.

 

hot pot.

 

there’s nothing else for me to add. i don’t really have a recipe to provide or anything like that. i just prepare the soup bases with the little sheep hot pot mix and then chuck whatever i want in there.

it’s one of my favorite meals ever. hot pot is just so communal, so loving, so intimate. nothing beats cooking for the people you love, cracking jokes and cold ones over bowls of hearty soup, and gorging yourself on beautiful cuts of meat and fresh veggies. it’s truly a peak experience.

this part of the story is short, partly because it’s the conclusion and i didn’t want to spell everything out - and also because i was starting to reach the end of my stamina of writing. but i hope that whatever sentiments i’ve been trying to communicate thus far, it would have reached the reader by this point in time. and funnily enough, even though kronii calls irys a creep for people watching, she ends up watching the others move about as they clean the kitchen. small moments of continuity i tried to call back to.

—

every meal that i’ve included in this story is a meal, or some variation thereof, i’ve shared with someone before. in a way, this story is very personal to me in so many fronts. the food shared. the feelings kronii goes through. my own journeys of loss and grief and letting go and moving on. i vaguely tweeted about this story on my twitter here. it’s just so funny and coincidental, how it all played out. the time capsule of it all. that’s what i’ve always thought of my writing, anyways. a time capsule of who i am right now, in this current point in my life. 

the first time i wrote a cooking fic for hololive was for trip’s first howrito tournament back in 2022 (if you’re reading this, hi trippy). it’s called hors d’oeurve. while writing this story, i found myself rereading hors d’oeuvre as reference for how i used to do things. instead, i found reflections of the person i once was, where i was in my life, remnants of my dreams, my aspirations, my goals. sometimes i grieve the person that i was, and what that person was capable of doing. but life continues on. things change. we let go.

and love that’s shared is never wasted.

—

thank you for reading.

and happy fifth anniversary to our time warden.

jonknee: (Default)
originally written on dec. 6, my dad's birthday. i just never posted it, oops.

-

today is my dad’s 60th birthday. for the first time in…i don’t know how long, we celebrated with my aunts, uncles, and cousins. we had a potluck. there was a lot of seafood.

and notably, there was crab.

-

my dad is someone of little words, and sometimes the words he does speak, it’s out of pocket. sometimes i have to jab my elbow into his side to silently reprimand him on something he shouldn’t have said, but there are other times where the things he says are so insane, he’s kind of cooking. maybe that’s just his filipino humor. or maybe i’m just his kid, after all.

stereotypically, he was never one to express his affections—at least verbally. there have been a few times it has happened, though. like when i wore my master’s regalia when i graduated, he said he was so proud of me. or a handful of years ago, for my birthday, i decided to dress more femme and he called me his little princess. these compliments weren’t unwelcome, but they always made me feel awkward. maybe because i wasn’t used to this. maybe that’s rooted in something i need to unpack in therapy.

i’m more used to receiving acts of service from my dad. like him working two full times jobs to provide for mom and me. or like him going to fill up my car with gas early in the morning while i sleep in until 11am. or him cracking open the shells of crabs, plucking the flesh from inside, and placing them on my plate.

-

dad has served me like this for as long as i can remember—to the point where even i struggle to open a crab by myself. i know the relative basics of deconstructing one. start with the claws and legs, bend each back against the joint until it cracks and comes loose. jam your fingers into the body of the crab then peel it loose to expose the tender and fluffy meat inside. but even with those basics in mind, i still struggle. i shy away from the sharp edges and underdeliver on my strength because i don’t want to get cut on my fingers. so dad just always did it for me.

tonight though, it was different. i put on my big girl pants and buckled my shoes and undertook the daunting task of deconstructing the crab by myself. my dad sat next to me during dinner, though.

-

throughout the day, as people greeted him through, he’d humbly respond with, “thank you.” followed by, “i guess we’re getting old now, huh?”

my dad’s hair isn’t as black as i remember. it’s salted with white, with streaked with peppery black here and there. he’s gone to dyeing it for special occasions, with mom’s help. but it’s these little signs of our day to day that i am reminded of one infallible truth, one that lingers beneath our noses and hides in the shadows of our mind:

we’re getting old now.

-

i’m not super successful in eating the crab by myself, but dad is there to help me, because of course he is. that’s the kind of man he is. the quiet, hardworking man who has dedicated his life to his family, making sure there’s always food at the table, and always making sure there’s food on my plate. he cracks open the shell, plucks the meat from the legs, and i do my job of making sure i eat, cramming crab meat and rice into my mouth, the sweet citrus of calamansi dancing on the tongue.

and i am reminded that my dad is old, now.

and one day, he won’t be able to open my crabs for me.

…

…

…

but at the very least, he’s here right now to help me.

…

…

thank you for always feeding me.
jonknee: (Default)
about three-ish years ago, in the transitioning chill of autumn in ’22, i went out for dinner with a few childhood friends. there were four of us, sitting at the janky local burger joint located in the historical downtown area of our suburban hell of a hometown. we were the only ones there sitting at the restaurant, save for the cook who was hanging out near the grills, because the only thing separating the kitchen and the dining area was a low bar counter, like the retro-styled Americana 70s burger joint it was.

we sat at one of the window tables closest to the front door that stuttered every time you opened it. in the center of the table was a mountain of fries that was barely being contained by a neon red bucket.

and over that mountain of fries, my friends and i trauma dumped.

one of my friend’s mother passed from cancer two years ago. another’s father suffered a debilitating stroke just a few months prior. the other lost their grandmother in front of their eyes. i was struggling from the emotional damage a chaotic whirlwind of a relationship left behind. in everyone’s own way, we were struggling with our own definitions of loss, sharing our stories as we picked at the sides of the cooling mountain of fries, dipping the pieces into ketchup, munching silently as the weight of grief hung over us as each one told their story. it felt like an elephant was suspended on a tightrope above us, its shadow teetering overhead.

sometimes we’d make a joke or two. like how the people just over the counter probably thought we were crazy. or how ridiculous it was that we were having an impromptu group therapy session at the local burger joint, with a pile of fries as our silent therapist. small attempts to exorcise the ghosts still haunting us, a quiet hope that sharing our horrors would make it seem less…bleak. scary. horrible. even now, we still joke about it. it just made it easier to parse, i think. made it easier to forget about the pain—or at the very least, disguise it. misery loves company, i guess.

-

but looking back on it, i dont think we ever finished that pile of fries.

-

a year later, my friend who lost their mother returned to the burger joint. she had been working out of town as a nurse and was visiting for the holidays. she wanted to stop by an old favorite: a greasy-ass cheeseburger with even greasier bacon. delicious. nostalgia always made food taste better.

surprisingly, the cook recognized her. after he took her order and put the patty on the grill, the quiet sizzle filling the place, he said something unexpected.

“i know it’s been a while, but i hope you and your friends are doing better.”

the next day, when all my friends were gathered together, she told us this story. we laughed, drunk off our asses at my dining room table, surrounded by half-opened soju bottles, sticky red solo cups, passing around strawberry calpico to fight off the sting of alcohol, because there was no shot that guy remembered us, right?

and of course, we still laughed about that mountain of fries.

-

just yesterday, i had DND with another group of friends (because of course i play DND, im gay). it was a special session. we initially started the campaign with seven players and one DM, the numbers slowly dwindled. one player fell off the campaign. the other couldn’t make it because of an unpredictable work schedule. eventually we couldn’t play as consistently as a group because i went away to grad school and life has a funny way of catching up to people. we still found time to play, whenever that happened.

but yesterday night, there was a special surprise. after a year and a half of not playing with us, the one who couldn’t make it because of work made an impromptu appearance. we cheered and laughed and had a wonderful session. it was great to see a familiar face after so, so long.

the session blew by in a breeze. and before we knew it, it was over.

and then someone at the table suggested dinner.

“why don’t we get burgers?”

-

and so there we were again, at the janky burger joint. the door still stuttered when we opened it. the interior was lit by garish white light that illuminated the worn floor tiles and fading counter tops. they changed the old manual cash register for something digital, but they still handed out old-school tickets to call out your order. the only thing still separating the dining area and the kitchen was the low counter. there was a few new faces behind the counter, but i vaguely remembered the cook at the grill. the air smelled of grilled beef, grilled onions, and used frying oil.

and, of course, one of my friends ordered a mountain of fries to share.

they come out in the neon red bucket i remember. the fries, they’re golden-brown, well-salted. i swear to god, they had to have been fried in animal fat because they’re addicting. the crisp shell followed by the pillowy interior, all of it complimented by the subtle sweetness only ketchup could provide—all of it was a match made in heaven. i couldn’t help myself. i went for another, and then another, and then another, even when my tongue burned from how hot everything was.

we shared stories with one another. stories about the session, about work, about life, about future plans. two of my friends reveal how they have plans to propose to their girlfriends in the upcoming year. another one is planning on moving in with her boyfriend next year, too. another friend and i, we joke about how we’re single, but it doesn’t bother us. well, it doesn’t bother me, at least. i felt quite loved in that moment.

we joked. we laughed. we celebrated. until eventually, i caught the eye of my friend sitting diagonally from me. it’s the same friend whose father had a stroke, about three years ago now. it’s also one of the friends who’s going to be proposing to their girlfriends in the upcoming year.

i smiled and cracked a joke. “look at us and our pile of fries,” i said, referencing the infamous trauma fries of ’22.

she laughed, because of course she did. “look at us,” she said, “celebrating.”

yes. look at us, celebrating.

and in that moment, i was aware. i was aware of the passage of time. i thought about the wounds all my friends carried, about that pile of fries, about the stories we shared. i thought about the guy behind the counter, about how he would carry on about his day, working his job, until suddenly, quite unexpectedly, he would be reminded of that weird group of barely adults sitting at the window table, holding back tears over a pile of fries. i thought about the many times we retold that story, over and over and over again, and i thought about maybe, just maybe, things do get better over time.

-

last night, we finished our mountain of fries.

they tasted really fucking good.
jonknee: (Default)
it feels surreal that myth debuted 4 years ago; it feels even more surreal that amelia watson will be halting streaming activities in just about a week?

isn’t it crazy how fast time flies?

when myth debuted in 2020, i hit a rut in writing. i wrote here and there, a stories for a few random fandoms, but nothing concrete. nothing i could sit down and be excited for and imagine actively. i always thought it was because i was busy with college and life was in the way. but then the world grinded to a halt when covid hit, and i found myself still unable to write even as the world slowed down. maybe i fell out of love for writing. maybe this is just the natural cycle of things.

and then myth debuted. i remember watching their lives in the passenger seat of my parents’ car in a costco parking lot HAHAHA it’s kind of funny i remember something like that.

at that point, i was already a fan of hololive for about a year. i’d watch okayu, korone, and marine clips, and i was interested in watching them. but the moment i watched their debuts, there was something that clicked.

their concepts!!! their lore!!! the designs!!! all of it had so much room to expand upon and hypothesize!!! how did kiara get her flames? how often would she remember? what kind of timelines would ame visit? is gura the last of the atlanteans?? ina’s role as a priestess?? all of it and more, i fell into the rabbit hole. and then i posted my first story on valentine’s day. a takamori fic. and for the first time in…god knows how long, i was so, so excited to write.

to have something rekindle a passion for a craft i lost love for - i think that’s special. and im forever grateful for that.

looking back on it, this is the longest i’ve ever written for a single fandom. most of the fandoms i’ve written for, i’ve been on the fringes, posting here and there. and genuinely, i think one of the reasons i’ve continued to write for hololive is because of the streamers and the people i’ve met these past four years. for that, i’ll always, always be grateful for myth for being the catalyst to meet some of the sweetest, most creative, and lovely people im privileged to call my friends.

ame leaving, it’s bittersweet. it’s one of those things where i truly, deeply, wished it didn’t have to happen. from coco, to sana, to aqua, and now to ame - that same feeling of, “do you really have to go?” sits in my chest every time there is a graduation. but ultimately, they’ve made their decision because that is what’s best for them, and the most we can do is support that.

and im sure, one day, we’ll meet ame again, whether it’s in this timeline or the next.

our little sunshine girl will always be on the horizon, somewhere, dancing among the stars.

-

thank you for reading.
jonknee: (Default)
hibike! euphonium came out in 2015. i was in high school then.

and just like kumiko, i was in band

at that point in my life, band had been a pretty central core of my life, give or take four years or so at that point since i had started in middle school. i wasn’t very good at my instrument (im still not tbh), not like my peers, but i enjoyed playing it. i was a flutist, because my cousins are flutists. i also played piano concurrently at the time, but i remember wanting to be a violinist originally. the only reason i didn’t was because my parents couldn’t afford to buy a violin for me, and i didn’t know renting out an instrument was possible. but lessons would have been expensive anyways. so i didn’t. kind of like kumiko, when she picked up the euphonium, just kind of randomly after not being able to play her chosen instrument (but in all honesty, i might be misremembering that detail, it’s been a while since i last watched hibike in its entirety).

there was something special about hibike, back then. i mean, it’s still special now, but there was something about going through the motions of what the characters were going through, in the nature of an ensemble, trying to sift through the weirdness of life as a teenager. like, balancing family, then your potential future, your grades, your practice, your interpersonal relationships - all of that, i was doing in real-time as i watched hibike euphonium. it’s a special kind of experience, i think. to be seen, down to the very niche of it all. to be absolutely enamored by a girl in the same ensemble as you, to have that weird upperclassman you have grown so fond of, that you admired, only to blink one day and find yourself in their position. and it’s only until you’re in the shoes they left behind do you realize that, wow. they really didn’t know anything, either.

i poured every experience i went through in high school into my hibike stories. there’s a part of me in every story, in every cringe line, in every something or other. i think the most apparent is in Finding You. i remember someone comparing the personification of emotions as a reference to Inside Out, but in reality, i was inspired by some short story i read online. i’ve searched desperately to find it, but i have literally no idea where it is. it was about a woman who sits in the empty apartment she once shared with her lover, talking to each of her emotions until Love walks through the door. i think the woman says something about, “i’ve been waiting for you.” and Love says, “i’ve always been here.” something profound like that, i think. i remember feeling very touched and inspired by that, because i had gone through so many experiences like that during high school. and i thought, eh, why not write it with kumiko and reina?

(i was also very inspired by heather cubed HAHAHAHA god that story was so good)

in hindsight, i probably would have written that story differently now. i ended Finding You with kumiko forgiving reina for leaving suddenly and wanting to start over. but realistically, if i were in her position, i wouldn’t have. but high school me desperately wanted a happy ending because i didn’t quite get one. so i gave kumiko and reina one.

i entered college, graduated, and now im in grad school. i fell out of writing during 2018, then came back into it with a vengeance some time in 2020 i think, when i started writing for hololive. but i remember during that rut, it felt like nothing i was writing was ever good enough. even now, i find myself in a similar situation. i had a few stories for a few fandoms, but they never took off. they’re decomposed skeletons in my google drive. school is hard. life is hard. writing amidst the everything is even harder.

but i remember the easiest story that came to me was a kumirei story. i just had an idea, a vibe, and i went with it. and it came so easily. just a short story, called silent love, about kumiko and reina sitting on mount daikichi and a snippet of intimacy between them. in a moment of turmoil in my life, where i was so unsatisfied with everything i was doing, i felt an incredible amount of peace just writing that one story. maybe this is what people mean when they say they have a comfort ship. kumirei is my comfort ship.

or maybe hibike is just my comfort fandom. everything just comes easy. a break from it all.

—

i didn’t watch liz and the blue bird when it first came out. i fell out of anime and stuff because i’ve gotten so busy with life. there’s only a few that i watched to completion in recent years. because of that, admittedly, i didn’t feel the need to. until recently, when on a whim, i watched it with a friend.

and wow. it felt like falling in love, all over again.

the music. the setting. the direction. the characters. all of it felt like a dream. because suddenly, im back in high school. it’s my senior year. im at the threshold of adulthood, or what i think adulthood should be like. im applying for college. im making memories with the people around me. im creating preemptive goodbyes in my head, because i knew one day, all of this will be gone.

i wanted to write a story that felt like that. i hope i did.

—

this is more of a nitty-gritty(?) of why i wrote the story the way i did. in the first, what, six or so sections? i wrote the dialogue sequences in the middle, italicized, because i wanted it to feel like it was a dream. like a flashcut or something, if you were to imagine it as an anime. i was inspired by lorelei and the laser eyes, a game who shared dialogue through snappy cuts and cryptic messages. i hope it conveyed that vibe, haha. for the last part of the story, where nozomi and mizore are talking on the rooftop, i formatted it “normally” - because it’s thought that this is kind of like, where they’re actually talking with each other. being actively in the present instead of storing it as a memory. just there here, the now of it all.

i settled on titling the story a round, kind of as a play on words. the first reason is because it always feels like mizore and nozomi have always been in each other’s orbit. even when they were apart, i’d like to think that nozomi lived in mizore’s mind, constantly. ever there, ever present. haunting her. also, the structure kind of also felt kind of cyclical, with starting then ending with a kiss, similar themes in recurring conversations, things like that.

in musical terms, a round is when a single melody is played a few beats or measures apart by two or more people. it kind of feels like someone is trailing after the other. i thought it was kind of fitting here’s an example: row row row your boat

the constant recurrence of spring as a metaphor was entirely accidental, mostly because im not creative; but i’d like to think my subconscious had the idea spring is both a marker of the beginning and the end, especially in the japanese school year. but yeah. entirely coincidental HAHAHAH

them being likened to bluebirds also feels like a gimmie because [gestures to the title of the film they star in]. but i also wanted to convey by showing how, at one point or another during the relationship, they have both been liz and the blue bird. i think the most apparent is that mizore was liz and nozomi was the blue bird, but then at the end, it kind of flips. there’s kind of a huge time skip near the end of the story because that’s where the events of the movie is supposed to take place. but it’s been a bit since i watched it, but oh well! we make do.

i wanted to end the story kind of ambiguously. i mean, clearly it’s the end of this chapter of their lives (and this story), but where they go from there can be left up to reader interpretation. personally, i feel like they come back to each other. they always do. always in each other’s orbit.

as i was thinking about this story, i thought to myself multiple times, “well, if liz lets the blue bird go, can’t the blue bird just come by to visit any time?” and i think that’s the whole point of the narrative. it’s not about letting go forever. it’s about giving them the choice to come back. because, as they say, if you love something, you let it go.

and if it was meant to be, it’ll come back.

—

thank you for reading.

Custom Text

Most Popular Tags